онкурс посв¤щаетс¤ пам¤ти —ерге¤ Ўеде¤
»тоги блицконкурса
““-66 Ђ#2;
#3-5
с элементами ретроанализаї.
Award,
Section #2
9 problems
were cooked. That is a high percentage! As regards soundness modern composers
have grown accustomed to relying on the computer; so when for some reasons this
becomes impossible, they start experiencing difficulties.
Among the
sound entries, the following ones appear in the award.
Ќа
конкурс
поступило
25
задач
16
авторов.
9
задач
дефектны.
Ѕольшой
процент!
—овременные
композиторы
в
вопросах
корректности
привыкли
довер¤ть
компьютеру,
и
когда
по
некоторым
причинам
это
становитс¤
невозможно,
начинают
возникать
сложности.
—реди
корректных
работ
отмечены
следующие:
The problem
features Vladimirov theme, Rukhlis changes and Zagoruiko.
The key is
flight-giving.
¬
задаче
есть
тема
¬ладимирова,
перемены
по
–ухлису
и
«агоруйко.
¬ступительным
тематическим
ходом
отдаетс¤
поле
черному
королю.
2nd
Prize Ц 2nd
place
ѕолна¤
форма
темы
¬ладимирова c использованием парадокса вз¤ти¤ на
проходе.
3rd
Prize Ц 3rd
place
b) after
WhiteТs first move
a.)
1. Qf2? h2!
What was the last move?
0Е...c6:b5? Ц impossible, since the 16th
white piece, i.e. the one that is missing, is the Bc1, which cannot be captured
on b5.
Of the two last moves of seemingly equal
value Ц 0. Еd7-d5 and
0. Еf7-f5 Ц the former is impossible,
since in that case the Ba6 is promoted, while the promotion squares of the
missing black pawns are dark.
Therefore, the only possible last move
is
0Е.f7-f5! Then
1.g:f6! e.p. g:f6+ 2.S:f6#
ƒанна¤
задача сама¤
интересна¤ в
конкурсе по
ретрообоснованию. ƒва вз¤ти¤
на проходе,
причем во
втором близнеце Ц
задача-блок, вз¤тие
на проходе
Ц единственный
выжидательный ход.
Ќо в
за¤вленной теме
упор делаетс¤
на ортодоксальную
составл¤ющую задачи,
отсюда и
третье место.
Special Prize for a rendition of S. ShedeiТs idea Ц 4th place
b) after
the first moves by White and Black
а) 1.0-0-0?+
Kc3!
(2.Rd3+? Kc4!)
1. h8Q+!
e5
2.de6 e.p.#
1.h8B+!?
e5
2.de6 e.p.#??
The second solution of the first twin (in this problem,
promotion to bishop) is ruled out because it would lead to no solution in the
second twin Ц this complex Уextended problemФ idea was proposed by S. Shedei
(see
Shakhmaty, 1974,
Masters of Chess
Composition, p. 77, No. 196). The problem can
also be found in TurevskyТs database; the link is
http://www.yacpdb.org/?id=295923
b) 1.de6#
e.p.?? Ц the e.p. capture is illegal!
1.Q:e5+?
K:e5
2.Bb2#,
but 1Е.de5!
1.Rc1?
a1R
2.Bb2#
1Е.a1B
Rc4#,
but 1Е.a1Q!
1.0-0-0+!
Kc3
2.Qh3#
Valladao task involving underpromotions for both sides in a twomover. The problem demonstrates the idea of mathematical paradox Ц when 2 Ц 1 = 2 Ц which is seldom used in forward-play problems
“аск ¬алладао с использованием
слабых превращений обеих сторон в двухходовке.
¬
задаче
продемонстрирована
редко
используема¤
в задачах с пр¤мой игрой ретроиде¤
математического
парадокса,
когда
2-1=2.
1st
Honorable Mention Ц 5th
place
With the
help of a retro element, the problem presents a combination of black rookТs
УcrossФ with Hannelius and change of white movesТ functions.
ѕри
помощи
ретроэлемента
в
задаче
реализовано
сочетание
крестика
черной
ладьи
с
темой
’аннелиуса и переменой функций ходов белых.
2nd
Honorable Mention Ц 6th
place
1.Rb7?
[2.Ra7#], __ 1ЕRxa5#! Ц the only black defense results in mate to the
white king.
1.Rxd5?
zz [2.Qa7#], __ 1Еcxd6!
1.Qxc5?
[2.Qa7#], __ 1Еg1=Q/B!
1.dxc7?
[2.Sb6#] 1ЕRxb5/Rxc6 2.Qa7#,
but Black is to move.
0Еcxd6
1.Rxd5 zz 1Е~ 2.Qa7#
0Еd4
1.Rb7! [2.Ra7#] 1ЕRxa5+ 2.Rxa5# Ц now itТs not mate, but
just a check to the white king.
1.dxc7?
, __ 1ЕRxb5/Rxc6!
Berlin theme
Ц rare for a two-mover.
Special Honorable Mention for a scacchographical problem
Ц 7th
place
УThe Commemorative LampФ
Change of play in a scacchographical retro problem with a retroanalytically
motivated refutation of the try.
ѕеремена
игры
в
скахографической
ретрозадаче
с
ретроопровержением
ложного
следа.
1st
Commendation Ц 8th
place
1.Qa1?
- 2.fg#
1Е.gf
2.Q:f6#,
1Е.g6(g5)!
1.Qf8? -
2.Q:g7#(fg#) 1Е.gf!
1.B:f7+
K:h7!,
but Black is
on the move.
0Е.g5(g6)
1.Qf8 Ц
2.Q:g7#
0Е.gf
1.Qa1 Ц
2.Q:f6#
0Е.b5
1.B:f7+ Kh7
2.Qh1#
b)
1.K:f7?
- 2.fg#
1Е.gf
2.Q:f6#, 1,Еg6(g5)!
1.fg+
Kg7 2.Qf6#,
but again Black is on the move; therefore
0Е.g5
1.Q:g5 -
2.Qg7#
0Е.g6
1.Qh6 -
2.Qg7#
0Еb5
1.fg7+ K:g7
2.Qf6#
Change of
play, reciprocal change of mates and first moves; yet itТs sort of boringЕ
ѕеремена
игры,
чередование
матов
и
вступительных
ходов,
но
как-то
скучноЕ
2nd
Commendation Ц 9th
place
A Meredith
with retro-pickaninny.
I am afraid
this has already been presented, even with a retro element; but I cannot point
to a particular anticipation.
ћередит с ретропикенинни.
Ѕоюсь,
что
это
уже
было,
даже
с
ретроэлементом,
но
не
могу
представить
ничего
конкретного.
3rd
Commendation Ц 10th place
Urania and
Salazar themes.
I would like
to point to the fact that the try is based on a retroplay that is in fact
non-existent. The problemТs retro component is sort of virtual.
“емы
”раниа
и
—алазара.
’очу
отметить
идею
использовани¤
несуществующей
фактически
ретроигры
в
качестве
ложного
следа.
–етросоставл¤юща¤
задачи
как
бы
иллюзорна.
Award in TT-66, section #3-5
When the
tourney became a memorial one (alasЕ) and its deadline was extended, more
entries started coming in, as composers paid tribute to the memory of
outstanding master Sergei Shedei (thanks a lot to all of the participants!); as
a result, the judge of the #3-5 section received a total of 25 problems from 12
authors representing 6 countries; 7 entries were unsound and 1 was non-thematic.
The award
is as follows.
ѕосле того, как конкурс (увыЕ) стал мемориальным и были
продлены его сроки, композиторы активизировались, отдава¤ дань пам¤ти
выдающегос¤ мастера —ерге¤ Ўеде¤ (за что им огромное спасибо!), и в итоге по
разделу #3-5 было получено 25 задач 12 авторов из 6 стран. 7 из них оказались
некорректными, 1 Ц нетематической.
The problem
features an idea proposed by Valery Liskovets back in 1977: combining partial
retroanalysis (pRA) with the Уtouch Ц moveФ rule (usually designated as BG, from
the German phrase УBerührt
Ц geführtФ).
Although this idea allows presenting change of play(mates)/
refutations within the framework of the Уpartial solutions,Ф composers have not
used these opportunities in the past.
Retroanalysis shows that BlackТs last move was either c7-c5 or e7-e5. White
starts with 1.fxe6+ e.p.!, implying that
Black played 0Еe7-e5. 1ЕKxd8 2.e7+ Kd7 3.b6# (2.Rf8? ~ 3.Qa5# Ц 2Еc4! (a))
If at this
point Black declares that in reality he played 0Еc7-c5?, it means that White
performed an illegal move; instead of it, now he must make another move by the same
piece of his own color or capture the same black piece. However, the
white f5-pawn has no other moves to make and
the black e5-pawn is Уuntouchable.Ф In such a case, according to FIDE
rules, WhiteТs УimpossibleФ move (1.fxe6+ e.p.) is to be replaced with
any other legal move. White chooses
1.bxc6+! e.p. (0... c7-c5) Kxd8 2.Rxd6+ Sxd6 3.c7# (model mate)
(2.Rf8? ~ 3.c7# Ц 2ЕBb6! (b)
If White
starts 1.bxc6+ e.p.? (0... c7-c5) Ц 1ЕKxd8 2.Rxd6+ Sxd6 3.c7#, then Black
declares that in reality he played 0Еe7-e5 Ц and then, according to FIDE rules,
White is forced to make a move with his b5-pawn: 1.b6+ (we have already seen
this move Ц as mate after 1.fxe6) Kxd8 2.Ke6 [3.Qd7#] Sc7+ 3.bxc7# Ц 2...Sxf6!
(2.Rf8? ~ 3. Q/R:e8# Ц 2ЕBxg6! (c))
¬ задаче используетс¤ предложенна¤
Ћисковцом еще в 1977 году иде¤ сочетани¤ парциального ретроанализа (pRA)
с правилом Утронул Ц ходиФ (BG,
от немецкого УBerührt
Ц geführtФ). ’от¤ данна¤ иде¤ позвол¤ет в рамках
Ђпарциального решени¤ї демонстрировать перемену игры(матов)/опровержений, но
раньше такие возможности композиторами не использовались.
“роекратна¤ перемена игры и
троекратна¤ перемена опровержений на втором ходу. ќпределенным минусом ¤вл¤етс¤
отсутствие ответа в начальной позиции на шах 1ЕSxf6+.
» все же, несмотр¤ на это и другие Ђформальные преп¤тстви¤ї (шахи на первом
ходу, принадлежность к категории
pRA),
хотелось бы, чтобы это выдающеес¤ произведение попало именно в раздел #3 јльбома
‘»ƒ≈.
2nd Prize Ц 2nd place No. 20, Aristarkh Vorontsov
b)
in the position before
BlackТs last move, White to play
1.Bxb7+!
Kxb7 2.c6+ Ka8 3.b7+ Ka7 4.Bc5#
b) Black
retracts 0-0.
1.Se5! ~
2.Bxf7+ Kd8 3.Bc7+ Ke7 4.Sg6#
(model
mate); 1...Kd8 2.Bxf7 Kc8 3.Bc7! ~ 4.Be6#
(same 2nd and 3rd moves by White, but without checks)
Well, how
about castling? In the position of twin b), it is Black that made the previous
move; he had to move his king or rook, thus losing the right to castle. The
judge has already seen a twin formed according to the same principle (Black
retracts, yet White moves); but that problem did
not present the seemingly paradoxical idea of
УlosingФ the right to castle after УretractingФ casting.
ј как же рокировка? ¬ позиции близнеца последний ход делали
черные Ц королем или ладьей, и право на рокировку потер¤но. Ѕлизнец, который
образуетс¤ подобным образом, судье уже доводилось видеть, но без внешне
парадоксальной идеи Ђутратыї права на рокировку после ее Ђвозвращени¤ї.
a) BlackТs
previous move c6xb5 or d6xc5 results in a disbalance for White: 11 (pieces on
the board) + 4 (f7xe6xd5xc4, axb) +2 (bxc, c6xb5 or c7xd6xc5) = 17. If 0Еb7-b5,
then the Ba8 is a promotee, resulting in a disbalance again, this time for
Black: 9 + 6 (bxa, d2xc3, fxexd, gxfxe) + 2 (Bc8, Bf8) = 17. The moves 0Еb6-b5,
b6xc5, Sc6-(x)c8 could not have been played because of illegal check to the
white king; c6-c5, Kb7-(x)a7 are unretractable because of illegal check to the
black king. Only 0Еc7-c5! remains, preceded by Rb6xg6+ (uncapture is a must, in
view of the need to avoid retrostalemate for Black, since the retraction that
seems to have become available Ц 1Ес5-с4 Ц is illegal: the c4-pawn came from the
f7-square).
1.dxc6 e.p.+!
Kxa8 2.c7! ~ 3.c8=Q ~ 4.Qb7# (2ЕSc6+ 3.Rxc6 ~ 4.c8=Q#)
b) Now
Black could have also played 0Еb7-b5, WhiteТs promotion to bishop on a8 is
possible, since the f8-bishop could have been captured by one of the white
pawns. Therefore, 1.dxc6 e.p.+ is illegal. Now the solution is
1.Bxc5+! Kxa8 2.Rg8! ~ 3.a7! Kb7 4.axb8=Q#. The twins present a
rather coherent and fairly original idea: the Уun-incarcerationФ of one of the
black bishops makes it possible to УincarcerateФ the other one.
Content:
retro-Avanta (УparallelФ double moves by two black pawns in retroplay) in
synthesis with promotions of two white pawns that are adjacent to the black
pawns; reciprocal change of functions of these white pawns (mate upon promotion
Ц guarding a black kingТs flight square).
—одержание: ретро-јванта (Ђпараллельныеї ходы черных пешек
на два пол¤ в ретроигре) в синтезе с превращени¤ми двух соседних с ними белых
пешек; чередование функций этих белых пешек (мат после превращени¤ Ц подхват
пол¤ возле черного корол¤).
4th
Prize Ц 4th place
1.Sf5?!
Kxb2
2.Sd4! Ka2 3.Sab5! Kb2 4.Rb3+ Ka2 5.Sc3#
BlackТs last move?
Ka1(b1)-a2,
preceded by 0-0+?
But the castling is illegal, as the white king
had to move to let his black counterpart Уwalk
by.Ф Ka1(b1)xSa2,
preceded by Sc1-a2+? But both white knights and
all 8 white pawns are on the board. Ka1xBa2,
preceded by Bb1-a2+?
But then it is retrostalemate for Black.
And if Bb1xa2,
then it is a disbalance for Black, since all
12 missing black pieces were captured by white
pawns. So Black is on the move.
0ЕKxb2. Now whiteТs previous plan is refuted by stalemating: 1.Sf5? (1...Ka2 2.Sd4 Kb2 3.Rb3+! Ka2 4.Rb5! Kxa3 5.Ra1#) Ц
1...Kxc2!
2.Sd4+ Kd2!! 3. Sab5
Ц stalemate!
The solution is changed:
1.Rb3+! Kxc2 2.Rfb1! Kd2 3.R1b2+! Ц and now:
3...Kc1/e1 4.Ra2! Ц zz
4...Kd1
5.Rb1#;
3...Kd1
4.Rc3! zz
4...Ke1 5.Rc1#
The two white knights do not take part in the
solution, but, considering their role in the try
and in view of the theme of the tourney, they
clearly Уdo not spoil the race.Ф It is quite
interesting that,
according to
the author, this composition is a correction of
a problem he composed at the age of 13.
’оть
два белых кон¤ в решении не участвуют, но с
учетом их роли в ложном следе и темы конкурса
они ¤вно
Уборозды не порт¤тФ.
»нтересно, что, по сообщению автора, эта
композици¤ ¤вл¤етс¤ исправлением его задачи,
составленной в возрасте 13 лет.
Special
Prize Ц 5th place
One capture
for White is obvious: gxh; the black h4-pawn is УbelowФ two white pawns; the
УsecondФ white pawn could not Уpass byФ this black pawn, as this would require
two more captures, while White has only one in store. This means that Black made
two captures on the g- and h-files. WhiteТs balance is closed: 11 + 5 (a7xb6,
bxc, cxd, hxg, gxh) = 16. The white d-pawn was captured on its original file by
the black d4-pawn, while the white e-pawn was promoted on e8 after e6xd7. The
d7-square is a light one and so the black dark-squared bishop could only have
been captured on the h-file. The white a-pawn was promoted on a8; therefore,
BlackТs previous move could not have been a7xb6. If so, how else can Black avoid
retrostalemate for White? 0ЕB~-g4 1.g4xh5?? Ц the black dark-squared bishop
could not have been captured on the light h5-square. 0Еg6-g5? 1.g5xBh6 Rg7-h7+
and retrostalemate for White. The white king has to be shielded: 0Еg7-g5!!
1.g5xBh6 B~-g4 2.g4-g5, etc. Hence White can capture en passant:
1.hxg6
e.p.!
(no check!) ~ 2.Sxf7+ 2.Rxf7+ 3.Kxf7#;
1...Sb/dxc7/ Qxd7
2.Sxf7+ Rxf7+
3.Kxf7+ S/Qxe8(+) 4.Rxe8
#; 1...Sf6
2.Sxf7+ Rxf7+
3.Kxf7+ Sxe8/Sg8 4.Rxe8#/Rxg8#.
The judge has not seen the use of shielding to prove the legality of an e.p.
capture. This problem is the one with the most profound retroanalysis in the
tourney.
—удь¤ раньше не встречал
использовани¤ экранировани¤ дл¤ обосновани¤ возможности вз¤ти¤ на проходе. —ама¤
глубока¤ в плане ретроанализа композици¤ конкурса.
1st Honorable Mention Ц
6th
place
Black has
no last move.
0ЕKxb8 (a)
1.Qxf7 Ka8
(switchback) 2.Qxc7 Bb8 (b) 3.Qb7#
0ЕBxb8 (b)
1.a7! Bxa7
(switchback) 2.Qa3 Kb8 (a) 3.Qf8#
An unusual
reciprocal change Ц of BlackТs УzeroФ and second moves. A Meredith.
Ќеобычное чередование Ц УнулевогоФ и второго ходов черных.
ћередит.
2nd
Honorable Mention Ц 7th place
1.exd5?
f4!; 1.exf5? d4!; 1.Bf1? ~ 2.Qe2 ~ 3.Qb5/Qxa6#; 1...d4!;
1.Bxa6? ~
2.Qe2 ~ 3.Qb5# ; 1...d4!; 1.Qe2? ~ 2.Bxa6 ~ 3.Qb5#; 1...d4!;
1.Rxf5? zz
1...d4 2.Kxd4 Kxb5 3.cxb6#; 1...Kxb5 2.Qe2+ Ka5 3.Qxa6#; 2...Kxc5 3.Se6#;
1...dxe4!
1.cxd6 e.p.!
(0Еd7-d5) ~ 2.Rxf5 Kxb5 3.Kxd4#; 1...fxe4 2.Sxe4 Kxb5 3.Kd4#
Ц in just five single moves, six (!) pieces УvanishedФ between the white queen
and the black king; 1...f4 2.Sf3 Kxb5 3.Kd4#; 1...Kxb5 2.Qe2+ Ka5/Kc5 3.Qxa6#/Se6#
WhiteТs
Уmasked battery consists of six pieces.
У«амаскированна¤ батаре¤Ф белых состоит из шести фигур!
3rd
Honorable mention Ц 8th place
The first
variant features white piece switchback; the second, УdoubleФ zugzwang.
ѕервый вариант Ц с возвратом белой фигуры, второй Ц с
УудвоеннымФ цугцвангом.
1st
Commendation Ц 9th place
The problem took part in a tourney requiring correction of cooked problems that
was conducted on
January 5,
2011, on the website ru-chess-art. It is based on a 1928 composition by G.
Kasparyan, but the Уcorrection tourneyФ judge concluded that it was in fact not
a correction, as it does not share a single common variant with the said
problem, and so it can be regarded as a fairly original work.
«адача участвовала в конкурсе
исправлени¤ дефектных задач на сайте
ru-chess-art
5/01/2011. —оставлена по мотивам задачи √. аспар¤на 1928 года, но, по
заключению судьи конкурса, не ¤вл¤етс¤ исправлением, и, поскольку эта композици¤
не имеет с указанной задачей ни одного общего варианта, ее можно считать вполне
оригинальным произведением.
2nd
Commendation Ц 10th place
A
miniature. The first couple of twins Ц thematic ones Ц present change of
promotion; the second couple, which is non-thematic, presents unstalemating of
the black king. All mates are different.
ћиниатюра. ѕерва¤ пара близнецов Ц тематическа¤, с переменой
превращений; втора¤ пара Ц нетематическа¤, с распатованием черного корол¤. ¬се
маты разные.
3rd
Commendation Ц 11th place
1.Sg6? Rxg6!
1.Bd6 ~ 2.Rxe7+ Kd8 3.Kf7#; 1Еexd6 2.Sg6!
Rxg6/Bxg6 3.Kxh7#/Kxg7#. A nice Nowotny on the 2nd move.
1Е0-0-0? Ц the castling is illegal, as the black king had to move to let the
white Rh8 and Kg8 go to the upper right corner.
4th
Commendation Ц 12th place
1. Bb6!
Castling would save Black, but it is illegal. Either the king or the Rh8 had to
make the last move; 0Еb7xa6, 0Еe7-e5, 0Еe7xf6 could not have been played on
account of disbalance for Black. 1Еaxb6
2.Qd1 ~ 3.Qd5 ~ 4.Qa8#; 1Еg4 2.Sxe5+ Kf8 3.Sxd7+ Kg8 4.Bf7#
5th
Commendation Ц 13th place
The only
retro nuance consists in that the key move is made by a promoted white bishop.
≈динственный ретронюанс Ц первый ход делает белый
превращенный слон.
Judge:
Andriy Frolkin
Kiev,
December 15-19, 2012
ѕобедители конкурсов - Dragan Stojnić - —¬ј ј „ј—“! и »горь јгапов - ѕоздравл¤ем!
19 декабр¤ 2012